Today, I took the dreaded GO Train. I prefer the bus because it’s more comfortable and less crowded. But because of time, I had to take it in order to make it back to Hamilton in time for a meeting at 6:30 pm. Continue reading “There’s no romance on the GO”→
Some competitions make sense. But when they don’t, boy does the community have an opinion about it. The Sony Centre for the Performing Arts; the Toronto Centre for the Arts; and the St. Lawrence Centre for the Arts, currently called Civic Theatres Toronto have opened up a “national public naming competition” − with a “great prize package valued at up to $2,500.00” awarded to whoever comes up with a better name than Civic Theatres Toronto for Civic Theatres Toronto.
Last September, I was part of a team that produced George Brown College’s exhibition at Canada’s first design biennial EDIT (Education, Design, Innovation, and Technology). The installation was made up of several parts: a video, a timeline, a VR experience. Continue reading “Innovation Exchange at EDIT”→
Currently on show at the Gladstone Hotel is Ryerson University’s third-year Image Arts photography students have come together in a collaborative effort to present Fragments, a visual dialogue which centers on human experience. Continue reading “Fragments”→
Last night I trekked across the city to see the opening of “Now and Then” a video-art exhibition developed by the RT Collective in collaboration with the Canadian Lesbian and Gay Archives (CLGA), Myseum of Toronto and the Gladstone Hotel. Continue reading “Now and Then: Myseum Intersections”→
As we go about our daily lives, we encounter spaces designed to shape and regulate our behaviour. In A wall is just a wall, Kapwani Kiwanga exposes the mechanisms of these underlying structures through wall paint inspired by colour theory and targeted fluorescent lighting.
Objects contain meanings beyond their materiality, meanings that we bring to them or receive from them. Objects are the result of an action, entail traces of human gestures and evoke reactions or memories. They have the potential to be read collectively or personally. Maria Hupfield’s artistic practice reveals the way objects can trigger relationships between humans or environments.
Many people have experienced what it is like to go into a hospital waiting room, either for themselves or to accompany a friend or family member. While trying to pass the time by flipping through magazines and filling out forms, it is hard to not feel anxious and overwhelmed. Amanda’s work is based off of her own experiences and explores the tedious nature of being in a waiting room.Continue reading “Come Up To My Room, part 2”→
Come Up To My Room, is a main event during the Toronto Design Offsite Festival. Located in the Gladstone Hotel, on the Queen West West strip of Toronto, this is the alternative event to the much popular Interior Design Show.
Taking up the second and third floor of the hotel, artists transform the rooms into an imaginative landscape of political, immersive and fun explorations into what art and design can provoke. This year’s theme Transplant looks at our relationship with the world and with those around us that is informed and affected by geopolitics, media, and our digital social interactions. Ideas, knowledge, and culture filtered are expressed through these exchanges evolve once transmitted and transferred from one place and to another. Through this act of transplantation, art, media, and culture converge, diverge, and reemerge into new and unique collective entities, which is what presented throughout the hotel. Continue reading “Come Up To My Room 2017, part 1”→