As we go about our daily lives, we encounter spaces designed to shape and regulate our behaviour. In A wall is just a wall, Kapwani Kiwanga exposes the mechanisms of these underlying structures through wall paint inspired by colour theory and targeted fluorescent lighting.
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Objects contain meanings beyond their materiality, meanings that we bring to them or receive from them. Objects are the result of an action, entail traces of human gestures and evoke reactions or memories. They have the potential to be read collectively or personally. Maria Hupfield’s artistic practice reveals the way objects can trigger relationships between humans or environments.
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In Echakhch’s process-based works, audiences are presented with the traces of an action. For instance, in Stoning (2010), the artist took bricks from a crumbling building – not a heritage site – and chiseled them into stones, recalling a method of punishment or execution. The tragedy that has befallen this place appears to have passed, and all that remains are the fragments of cast stones. Such gestures of abandonment and absence feature regularly throughout Echakhch’s oeuvre. Like Stoning, Cross Fade evokes the remains of an action that has already taken place. Echakhch’s wall painting of the sky appears to be falling apart. Fragments of the sky still exist intact on the upper sections of the walls, out of reach, reminding us of its beauty. However, large parts of the sky lie on the ground, creating a peculiar feeling that something beyond our control is either happening or has just happened.
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