As we go about our daily lives, we encounter spaces designed to shape and regulate our behaviour. In A wall is just a wall, Kapwani Kiwanga exposes the mechanisms of these underlying structures through wall paint inspired by colour theory and targeted fluorescent lighting.
Continue reading “Kapwani Kiwanga – A wall is just a wall”
Objects contain meanings beyond their materiality, meanings that we bring to them or receive from them. Objects are the result of an action, entail traces of human gestures and evoke reactions or memories. They have the potential to be read collectively or personally. Maria Hupfield’s artistic practice reveals the way objects can trigger relationships between humans or environments.
Continue reading “Maria Hupfield – The One Who Keeps On Giving”
In Echakhch’s process-based works, audiences are presented with the traces of an action. For instance, in Stoning (2010), the artist took bricks from a crumbling building – not a heritage site – and chiseled them into stones, recalling a method of punishment or execution. The tragedy that has befallen this place appears to have passed, and all that remains are the fragments of cast stones. Such gestures of abandonment and absence feature regularly throughout Echakhch’s oeuvre. Like Stoning, Cross Fade evokes the remains of an action that has already taken place. Echakhch’s wall painting of the sky appears to be falling apart. Fragments of the sky still exist intact on the upper sections of the walls, out of reach, reminding us of its beauty. However, large parts of the sky lie on the ground, creating a peculiar feeling that something beyond our control is either happening or has just happened.
Continue reading “Latifa Echakhch – Cross Fade”
A fish dying in the arms of a man is what first strikes us upon entering Jonathas de Andrade’s exhibition. The film O peixe (The Fish) depicts in ten vignettes fishermen cradling their catch, the two species merged in a morbid embrace of sinew and scale. The scenes in the film, simultaneously brutal and tender, confront the viewer with the tension and pathos of the dying process, up until the fish takes its last breath. At that exact moment, the scene moves on to the next couple – man and fish – and the tension begins again, transforming the single action, through endless repetition, into a ritual. The predator, the human, is stronger than its prey, the animal. He dominates it, yet he devotes himself to the fish throughout the process of its passing.
Continue reading “Johnathas de Andrade – On Fishes, Horses and Man”
I’ve finished my first book of the new year…Animal Farm by George Orwell. The novel is a political satire that looks at the events leading up to the Russian Revolution and into the Salinist era. Despite the book being written nearly 70 years ago, I find some parallels to what is currently happening in the United States with President Trump, especially after his press conference that went terribly wrong.
Continue reading “Animal Farm – Art imitating Life – The Trump Presidency”
2 ROOMS REVISITED – an exhibition of artworks created by OCAD University faculty and graduate students from the Interdisciplinary Master’s in Art, Media and Design program during their stay at 2 Rooms Artist Residency in Duntara, Newfoundland. Artists: Catherine Beaudette, Claire Brunet, Susan Campbell, Vanessa Jackson, Rae Johnson, Colette Laliberté, Annette Mangaard, Diane Pugen, Katrina Tompkins
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Meet eight of the most creative thinkers and imaginative minds working in the world of art and design today in the new Netflix original documentary series, Abstract: The Art of Design.
THE LONG, TEDIOUS TASK OF WATING – Amanda Gresik
Many people have experienced what it is like to go into a hospital waiting room, either for themselves or to accompany a friend or family member. While trying to pass the time by flipping through magazines and filling out forms, it is hard to not feel anxious and overwhelmed. Amanda’s work is based off of her own experiences and explores the tedious nature of being in a waiting room. Continue reading “Come Up To My Room, part 2”
Come Up To My Room, is a main event during the Toronto Design Offsite Festival. Located in the Gladstone Hotel, on the Queen West West strip of Toronto, this is the alternative event to the much popular Interior Design Show.
Taking up the second and third floor of the hotel, artists transform the rooms into an imaginative landscape of political, immersive and fun explorations into what art and design can provoke. This year’s theme Transplant looks at our relationship with the world and with those around us that is informed and affected by geopolitics, media, and our digital social interactions. Ideas, knowledge, and culture filtered are expressed through these exchanges evolve once transmitted and transferred from one place and to another. Through this act of transplantation, art, media, and culture converge, diverge, and reemerge into new and unique collective entities, which is what presented throughout the hotel. Continue reading “Come Up To My Room 2017, part 1”
Tonight, the student of George Brown College, Institute without Boundaries program presented their exhibit for the TO DO festival entitled: Reflections: Unwritten Histories of Toronto’s Waterfront.
Located in an abandon warehouse on the Lakeshore avenue, the students presented an interactive installation/research project to help them in their design process for the waterfront. Continue reading “Reflections: Unwritten Histories of Toronto’s Waterfront”