Before the lockdown, the first one, I was able to see the exhibition Winnie-the-Pooh: Exploring a Classic at the ROM created by the Victoria and Albert Museum in London. If you grew up on Disney, as I did, my favourite character was Winnie-the-Pooh. I had almost everything you could have as it relates to the cute little bear. So, when I heard there was an entire exhibition dedicated to this wonderful character, I couldn’t resist seeing it, despite us being in a pandemic Because my background is in design, I look at things much differently than your average visitor. I look at the overall design of the exhibition than the content. I know, it’s the content that the curators’ take pride in developing the overall story. But to me, it’s how the content is displayed that really brings those little pieces of content to life. The pros of visiting a world-class museum during a pandemic are that there isn’t really anyone around. I mean, crickets. So you get to experience the museum with a different …
The pandemic has made it possible for art media which would traditionally be seen in the context of a gallery or museum to be streamed online from the comfort of your home. It allows the viewer the freedom and flexibility to search and find content that resonates with them. And for someone like myself that loved to be inspired by new and provoking ideas the excitement of exploring and discovery is now endless. So, don’t waste a good crisis. My searching led me to DIS. A streaming visual media platform that re-imagines society’s relationship to videos and streaming channels, making intellectual theory accessible when it would typically be presented in an academic thesis.
As Ontario and many other provinces call for a state of emergency in an attempt to slow the COVID-19 pandemic, it is leaving its citizens cooped up in self-isolation subject to hours of binge-watching on Netflix. As an avid lover of the arts, and a board member to a local media arts centre, I too had made the decision to temporarily close our doors as many other institutions are forced to reduce social gathering and the spread of the virus. This has resulted in any museums offering virtual tours of their exhibitions in an attempt to continually engage with their members. Several months ago before the pandemic hit our shores, Toronto hosted its first Art Biennial, 72 days of free art. Did you get a chance to catch one of over 20 programs scattered across the city of Toronto and Mississauga? Taking a very academic and political topic, “The Shoreline Dilemma”. On an autumn weekend, I bring my friends, who “like” art, to the Small Arms Inspection Building in Mississauga located on the Lakeshore. I …
One of the must-see things to do when you are in Dublin is visiting the Guinness Museum. It was one of the best museum experiences I have ever done. Unlike most traditional museums which present a collection of artifacts, the Storehouse takes you through the brewing process of how this famous beer is made. The layout, the graphic design, the sensory elements, the overall presentation etc. really make this museum exemplary in terms of cohesive and immersive storytelling.
The Kelvingrove Art Gallery is one of the most recognizable buildings in Glasgow. Designed by John W. Simpson and E.J. Milner Allen in 1901, it was originally titled the Palace of Fine Arts. As a designer walking through the space, I’m the type of person who is looking at the context and not necessarily the content. I’m looking at how things are presented not necessarily the thing on display. As I entered the wing with all the busts, for me it’s not the sculptures that compel me closer, its the way they engage the viewer with the full spectrum of space. Busts hanging from the ceiling draws me more in than a bust of Queen Victoria.
You gotta love a museum with a sense of humour. In the front of the entrance stands an equestrian statue of the Duke of Wellington sculpted by Carlo Marochetti. The statue has a traffic cone on its head. The cone has come to represent the city’s light-hearted attitude to authority in most tourist books.
The 16th installment of Come Up To My Room (#CUTMR) is an alternative design exhibition that provides a platform for experimentation outside the norms of art and design, at the edges between intention and interpretation. Freed from the constraints of traditional practice, CUTMR encourages spatial exploration that engages our senses, our memories and our perceptions of reality. The exhibition challenges participants to push their everyday practice by offering a blank canvas upon which to explore new themes and ways of working. Framed within the backdrop of the historic 130-year-old Gladstone Hotel, CUTMR invites artists and designers to create site-specific, immersive installations that stimulate the imagination and encourage discussion and dialogue between contributors and visitors alike. The Gladstone welcomes Jana Macalik & Jennie Suddick as the curatorial team for CUTMR 2019.
“We are brokers of dialogue,” Director of Conference Programming, Ian Chodikoff mentions as he explains the shift in IDS’ (Interior Design Show 2019) current vision. The expanded programming of “bringing people together to experience the power of design” speaks to the new opportunities the show is trying to foster among the industry.
When I learned about this gallery called ARTECHOUSE where they bring together art, science, and technology, I had to make my way there…even though it was in Washington, DC.
Sharing an Uber is always interesting when you tell them where you are going and they call the site a ‘parking lot.’ This is what I experienced on my last trip to Washington, DC. On a recent trip to Washington, DC, I had the opportunity to visit the National Building Museum to see Snarkitecture’s Fun House which is the Museum’s imaginative Summer Block Party series of temporary structures inside its historic Great Hall.