It’s been a week since the brutal vehicular massacre that has clouded our city. Since then, I’ve noticed more barricades located around high traffic areas, one, for example, is Union Station. LIke, it wasn’t crowded enough coming from the GO and then jockeying for position to cross the street. Now, we have to maneuver around these mini cement walls. Which by the way, doesn’t make me feel safe whatsoever. Continue reading “Designing for Terrorism”
In a world where influencers rule the day on social media. Two of the biggest influencers in architecture and design have joined forces to outsource the content. They recently did a call for contributors to be one of the founding members to be featured during Milan Design Week. One of the caveats, you actually have to be going to cool stuff and are willing to post it for this channel. Continue reading “Dezeen and Instagram team up for @design”
Today, after driving through the worst ice storm recorded in April, I dropped my mother and her friends at the airport for their Biennale “Jesus Tour” Trip. Because of work, I’ve been clocking a lot of frequent flyer miles and have become completely accustomed to the “do-it-yourself” digital atmosphere at Terminal 1. Continue reading “Navigating the Airport Process”
Five multidisciplinary development teams have been shortlisted to imagine transformative concepts for the Pier 8 lands in Hamilton. The group of architects and builders are now presenting their detail proposals for the 5.24-hectare waterfront site that the City is banking on turning into a mixed-use community overflowing with residential, commercial and institutional space.
Continue reading “Pier 8 West Harbour Development”
In the recently published book On Seen, Zoe Ryan presents the eleven most influential design and architecture exhibitions in the last 50 years. From This is Tomorrow to Massive Change: The Future of Global Design she identifies the key drivers such as expressive antidotes, new materials and conceptual work that made these exhibitions so important. Coming from a curatorial background she builds the case and sets the stage that historically:
Exhibitions have long played a vital role in making and remaking architecture and design history. They bring together key figures and bodies of work, position ideas and present arguments, shed light on current concerns, suggest future directions and draw connection with larger theoretical, political, and cultural conversation…Where within the fields of architecture and design, exhibitions have been critical to advancing ideas (13).
Within this context of making and remaking design history through exhibitions, the most famous and prestigious stage for the fields of architecture and design is the Venice Architecture Biennale which is considered “the Olympics for architecture, bringing together a global perspective” (Feuerman, The Conversation) around contemporary design. This is where the world gathers every two years to see what significant breakthroughs and innovations are propelling the industry forward.
Set in a “semi-abandoned shipyard and its adjoining garden…the Venice Architecture Biennale is a colossal exhibition comprised of one major installation by a significant architect, as well as a multitude of smaller shows put on by individual countries (known as the national pavilions)” (Jack Self, CNN).
Yet, in recent years there has been a dilemma with the Venice Architecture Biennale and the content being presented. President Paolo Baratta of La Biennale di Venezia (Venice Biennale) articulates this problem clearly in the 2016 Venice Architecture Biennale program book Reporting from the Front:
What is an architecture exhibition? And what should a Biennale Architecttura be? In La Biennale Arte, to which La Biennale Architettura is offspring, the works are right there on display before the visitors; with an architecture exhibition, the works are elsewhere. What should be represented here? This is indeed an ongoing quest (16).
While doing my research for my Masters I came across the book Architecture Matters by Aaron Betsky. When I was in London, after taking a pause from the Serpentine Pavilion I went into their bookstore. And guess what book was on the shelf? I took it as a sign and bought it. It was such an easy read and while I was flipping the pages I came across a term that I really connected with. Continue reading “Architecture Matters”
This Easter I’m going to be celebrating it by the pool of a 5-star resort. The Fontainebleau is one of the most historically and architecturally significant hotels in Miami Beach, Florida. Opened in 1954 and designed by Morris Lapidus, it was arguably the most luxurious hotel in Miami Beach, and is thought to be the most significant building of Lapidus’s career. In 2007, the Fontainebleau Hotel was ranked ninety-third in the American Institute of Architects list of “America’s Favorite Architecture”. On April 18, 2012, the AIA’s Florida Chapter ranked the Fontainebleau first on its list of Florida Architecture: 100 Years. 100 Places.
Continue reading “Fontainebleau Miami Beach”
This monument feels like it was built by gods. It’s massive size of 190 feet long and 119 feet wide and reaching a height of almost 100 feet makes anyone who walks into the space feel so minuscule. Towering over the Reflecting Pool, anchoring the western end of the National Mall this has been the site for many memorable events such as Martin Luther King’s I have a dream speech. Continue reading “Lincoln Memorial”
A fragment of the Robin Hood Gardens housing estate salvaged from the demolition site by London’s V&A museum is to be transported to Italy and displayed at this year’s Venice Architecture Biennale.
The V&A acquired a three-storey section of the estate last year in addition to the fragment it will take to Venice when demolition work on the brutalist social housing estate began. Continue reading “V&A to salvage wreckage for Venice Architecture Biennale”
Last September, I was part of a team that produced George Brown College’s exhibition at Canada’s first design biennial EDIT (Education, Design, Innovation, and Technology). The installation was made up of several parts: a video, a timeline, a VR experience. Continue reading “Innovation Exchange at EDIT”