When I was thinking of traveling to Scotland, Edinburgh and Glasgow were at the top of my list. But when I heard of the opening of a new V&A museum in Dundee, designed by Kengo Kuma really solidified my decision to go there.
It’s quite a distance from Edinburgh, a couple of hours at least. On your way to Dundee you can see rolling hills and the occasional herd of sheep passing you by. The most majestic part of the journey is traveling across the river and seeing this jagged little site at the edge of the water.
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28.280 is a massive vertical installation by Vancouver-based designer Omer Arbel. Located in the main atrium of the Victoria and Albert Museum for the 2013 London Design Festival, the exhibition features lighting by Canadian design brand Bocci.
The intent of the installation is twofold; On the one hand, it is a pure celebration of the monumental open height of the building, which uses light to crystallize a powerful phenomenological experience for the viewer. On the other hand, it is the most ambitious exploration to date of a novel glass blowing technique.
28 is an exploration of a fabrication process – part of Arbel’s and Bocci’s quest for specificity. Instead of designing form itself, here the intent was to design a system that haphazardly yields form, almost as a byproduct
28 pendants result from a complex glass blowing technique whereby air pressure is introduced into and then removed from a glass matrix which is intermittently heated and then rapidly cooled.
280 of these discreet 28 units will be hung within a 30 meter vertical drop, suspended by a novel, perhaps awkward and heavy copper suspension system, that promises to have as much presence or more than the glass it supports.
The result is a distorted spherical shape with a composed collection of inner shapes, one of which is made of opaque milk glass and houses a light source.